Pride and Prejudice
1980
BBC. Directed by Cyril Coke
3 out of 4 stars.
What happens to a piece of art when it ages
to the point it is unable to engage the audience. Can we call it ingenious if
the newest generation finds it uninteresting and almost unbearable to watch?
Yes, yes we can. This particular version of Pride and Prejudice captured
Austen’s words and brought them to life as best they could at the time. The
miniseries did an excellent good job of casting the characters over all and
there were not many extreme diversions from the text.
The dialogue was almost word for word with
the book. The series would also take time to have Lizzy staring off as you hear
her inner most thoughts. There was once or twice where it went on a bit long
but it was overall an effective method because otherwise it might have just
been cut out. They also used characters
to speak out the letters where the novel would have simply displayed them.
When watching this version
it would be very easy to follow along with the text but I did feel it did not
age well. The manner it was presented though accurate to the novel was not as
engaging as the current generation expect from a film. So while I am quite fond
of older films I understand the difficulty in attempting to get a modern
generation to watch this miniseries. While this does work quite well for Austen’s
understated plot and descriptions, a film is not worth anything if you cannot
get people to watch it.
The most successful aspect of this
the film was the casting. These characters will forever be my Bennett family.
Elizabeth Garvie (Lizzy) had memorizing eyes was lovely but not ironically
beautiful as some depictions of Lizzy have been. My favorite casting would be Tessa Peake-Jones as Mary. She looked almost boyish. Her manner of speech fit Mary’s self educated
almost snobby manner. The funniest scene with Mary would be at the ball where
Lizzy is asked to sing. After Lizzy finishes Mary awkwardly sits herself down
at the piano. She proceeds to play ad sing. Tessa Jones was able to articulate
Mary’s inadequate ability to be aware how she is truly seen. The party’s
uneasiness is evident as Mary continues to humiliate herself.
The only person I would wish
improvement upon is David Rintoul, Darcy. He came off as a little
creepy when staring at Lizzy. He squinted his eyes and hardly ever
smiled.However It could have been the way the camera tended to linger on him
when Lizzy would catch him looking at her but Darcy just left me feeling weird after
a while. As the film progressed Darcy did lighten up just as he did in the
novel but overall he stayed a bit creepy and unnerving.
So despite its age I do recommend
this series to anyone who has read Pride and prejudice and can look past its
age. It is easy to get access to as well as to follow. It might not be engaging
and romantic but it accurately portrayed Pride and Prejudice.
I never understood the opinion that this version of Austen's novel was the most faithful. I never thought so, especially in the production's handling of Elizabeth's visit to Collinses and the Netherfield Ball.
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